Tagged: Прилепин

Little Histories of Post-Soviet People

Russia has invaded Ukraine. Five years ago I wouldn’t have believed it when I was writing this review, republished by Fiction Writers Review. It seems to me that there is still a lot to be learned, especially by us Americans, when it comes to letting others (like Ukrainians at this particular time) define their own path and tell of their experience.

Most of all, it’s in these stories that we’ll find the hope that this horrible invasion will end. Listening to the needs of Ukrainian people is the only hope we have at this point.

Heroes, like fictional characters, don’t exist.


If the purpose of reading a translation is to know the culture from which the original comes, shouldn’t we comprehend it in its entirety, warts-and-all, so to speak? Shouldn’t we let post-Soviet people and their politics speak for themselves? Perhaps, like with Limonov, the English translation of Sankya says more about its American, or English-speaking, audience than the original’s Russian one. Perhaps the problem comes from the Western audience’s need for heroes, who, like fictional characters, don’t exist.

Of Translation and Politics in Russian Literature.

Summer Reading Pleasures and Pains

“The Passengers” / Tobias Wolff
My students all loved, as I did when I laughed out loud reading it, the idea Wolff’s character has of San Francisco: “…a high-ceilinged room with sunlight coming in through stained glass windows, and a lot of naked people on the floor flopping all over each other like seals.” That’s exactly how it is…to a square outsider.

The Symmetry Teacher / Andrei Bitov
Here’s my review.

“Enemies” / Anton Chekhov
This story has always intrigued students I’ve had. It’s interesting to see where people’s feelings lie, whether they understand the characters. I pick it precisely for this reason, for Chekhov’s deft story of how good people can come to hate one another and the beauty of human sorrow.

“Errand” / Raymond Carver
Many students didn’t like this as much. But, for me, it suggests that Carver might have had a late blooming that the world truly missed out on.

“A Story by Maupassant” / Frank O’Connor
Another favorite that I feel like is best understood in an American context, even though it’s Irish here.

Sankya / Zakhar Prilepin
Read Of Translation and Politics in Russian Literature.

The Flamethrowers / Rachel Kushner
I had to return to this last night. Throughout I can hear the way Kushner reads, her voice, the soft retreat of Reno (so far at least).
She has lots of big paragraphs. You can lose yourself in that open female wonder.
The middle chapter, the one of the Kastles’ party, has some strange moments where dialogue and narrative blend, not necessarily in the way indirect discourse does. I’m hoping for the return to the traveling Reno, to the motion of the first half of the Reno parts.
I can’t seem to put this book down despite so many other obligations. I love the detail, now the insights into the various characters are all coming home to roost.
SPOILER ALERT: I know women like Reno, who, scorned once, never return. Would I be a woman like that? For some reason, I wonder if it matches with the quiet and impressionable Reno, the girl looking at Sandro with wide-eyes?
It’s done, sadly. I finished it without looking back. I couldn’t help myself. The end was very clean, without drama, just that idea of waiting. It sounds like it was a nice place to wait. And I couldn’t. I had to go on. I like the ending essay about the photographs and making New York a character who is fully realized and beyond any other thematic tropes.

On Writing Fiction / David Jauss
As if I have time to do so, I snuck in a quick whiskey-sipping read late last night of one of Jauss’ essays in this volume. Ever since I read his article on characterization in the Writer’s Chronicle, I’ve been interested in this. But I didn’t see “Homo Fictus” here. I also haven’t read any of Jauss’ fiction. But unrelated to “Stacking Stones,” an essay about arranging story collections, I started to rearrange sentences according to his idea that a lack of variety can give a stultifying feeling.

“How It Was Done in Odessa” / Isaak Babel
This story is still weird, after years, in English, it’s still weird. There are many layers, people speak in rabbinic proverb, and the fright of people running “as if from a fire” sends spooky spiders tingling down my spine.

“Barnburning” / William Faulkner
I’ve always loved this villainous old coot. Now I think I’ve gotten through. He’s a thief, without sides, only subverting the system, a black-blocer before the turn of the 20th century. He has solidarity with blacks in the South rather than disdain for them. Check out what he says about sweat.

“Root Worker” / Edward P. Jones
This story has always stood out to me, perhaps because it’s Jones with a little bit of Southern mysticism. Of course, it’s done subtly enough that my students ask whether there were really any witches at all. It all has to do with that scene looking down the garden, which I suspect is out of “Rappaccinni’s Daughter”.

Подросток Савенко Эдуарда Лимонова
I just came to what seems like the climax, the scene where he reads his poetry. I’m hoping things will start wrapping themselves up, and there’s more to this than his hunt for money$$$.
The gang-rape (хором, as Limonov puts it) scene at the end of this book is incredibly difficult to read. The teenager doesn’t seem to realize how horrible an event he’s witnessing, and you suddenly become aware of the depravity of life for Soviet youth at that time, at least for this one (not to categorize). This is likely what makes the book unique among memoirs, how raw it is in exposing life on the fringes, (yes, Kharkov I consider a fringe) of the Soviet territory. The frame of reference is so different than anything an American youth, even from the same period, knows, except perhaps for those who have grown up in American ghettoes.
Read Of Translation and Politics in Russian Literature.

“Sonny’s Blues” / James Baldwin
I’ve always loved this story, always loved teaching it, and the students also seem to love it. The family relationships, the jazzing up of an old Blues story, perhaps the original, the failed intervention, reminding me of Frank O’Connor’s “A Story by Maupassant”. Even inspiration for The Birthday Party’s “Sonny’s Burning”.

“Writing American Fiction” / Philip Roth
It’s good to hear a little bit of Roth the vicious critic. But what if writers don’t agree with the politics he’s discussing here?

“Tapka” / David Bezmozgis
There’s something of Babel in this. The ending takes it to a different place, deep into the childhood guilt.
Actually, this story led me to dive into the whole collection. Here’s my review of his latest with mention of this collection.

“Run, Rudolph, Run” / Denis Johnson
A friend mentioned this essay as an example of how there is often a disconnection between liberal Americans, often from cities out of touch with rural areas, and the people from those areas. I remembered growing up in Alabama, and I was particularly interested in this essay because of a story I was writing about my memory of the 1998 Birmingham abortion clinic bombing committed by Eric Rudolph. As an essay writer, I find Johnson pretty clear and sharp. On the other hand, as somebody who has lived in Alabama, not necessarily in a rural area, but who has known people who do live in such areas, the cut-and-dry distinction drawn by this essay and by my friend is more complicated than either of them would like to believe. It seems more for the benefit of spooking some liberals and adding to the abundance of stereotypes of the crazy redneck South that they have. Sure, neither side are talking to each other. But this isn’t anything new, and this disconnect exists in almost every culture. I think it might even be worse in most places. I think the liberal “side” here is a lot closer to the other “side” than liberals tend to think or want to believe. Anyways, the “check your privilege” message could also lead to a “check your family tree” or “check your history.” Benjamin would have something to say about the idea that there is a large class of people who have moved beyond the kind of life rural people live. The very idea that they can constitute another side is problematic. For instance, where’s all the liberal outrage about the death penalty or the appalling conditions of our prisons? (back at ya)

“Today I’m Yours” / Mary Gaitskill
The story of a beautiful love affair. I don’t think anybody writes about uneasy sexuality better than Gaitskill

Love in the Time of Cholera / Gabriel García Márquez
Yes, I’ve finally gotten around to starting to read this, so long after Gaby’s death. I read him first in high school, and this feels the same, another one of his novels, wading into the details. That parrot who catcalls the servant girls…
All the connections made based on physical objects. Now I know what T.S. Eliot’s “objective correlative” is. In this case it also makes connections between objects.
Márquez seems to be able to create symbols out of objects. Mostly, I’m thinking of what he’s doing with almonds at the beginning. The narrative is seamless, flowing through and giving the illusion that everything is unbreakably united, a very safe and magical world. Okay, I get it…”magical realism”. But, I never realized that he was making the magic before.

“Emergency” / Denis Johnson
The students had an amazing take on the Vietnam War’s relation to this story.

“No Place For You, My Love” / Eudora Welty
Yet again, just a bee-youtiful story of New Orleans. My students liked the alligator on the chain leash, or at least I like to pretend they liked that.

Flannery O’Connor, duh

“The Nature and Aim of Fiction” / Flannery O’Connor
I reread this essay, or lecture, around the same time that I read it last year. I thought then to use it for my writing class, the same one I’ll teach this year. But it’s so bleak. It makes a writer feel…unworthy. But the principles, the ideas, the concrete matter so important to fiction, all of it is here. Also, here is the religious sense of writing, the idea of something, a mystery I suppose, beyond the hard born words you’ve written, erased, rewritten, and imprinted on the paper.

Night of Pure Breathing / Gerald Fleming
Jerry’s book has got me enthralled. I’m reading it on the train platform as the train is passing at 40mph 5 feet away from me. I’ve watched Youtube videos of this guy read, so I can hear him reading the poems. I agree that “prose poems” is not a grandiose enough term for what he’s doing here.

“Country Living” / Zoe Abramson (Fiddleblack #17)
This is a nice little story that helps me keep in mind upcoming events.

Spring 2014

Middlesex / Jeffrey Eugenides

“Февраль” Захара Прилепина

Герой нашего времени Михаила Лермонтова

Waiting for Godot / Samuel Beckett

“Октябрь” Эдуарда Лимонова

“Marlinspike” / Tom Paine

The Theater of the Absurd / Martin Esslin

“Astonish Me” / Maggie Shipstead

Tenth of December: Stories / George Saunders

Long Day’s Journey Into Night / Eugene O’Neill

“She Lived Hard and Fast and Could Never Love Me” / Robert James Russell

Blood Will Out / Walter Kirn

Long Day’s Journey Into Night: Native Eloquence / Michael Hinden

The Birthday Party / Harold Pinter

“Call Sign Scorpion” / Antonio Genovese

A Confederacy of Dunces / John Kennedy Toole

Pinter: The Playwright / Martin Esslin

Benito Cereno / Hermann Melville

“Scars and Dirt: Why I Teach the Modular Story” / Christopher Lowe (Fiction Writers Review)

“Numbers Up” / Matt Walker (The Brooklyner)

“Little Saint At Home” / Marvin Shackleford (The Brooklyner)

“Since Like Forever” / Z.Z. Boone (The Brooklyner)

Rosencrantz and Guildenstern Are Dead / Tom Stoppard

A Confederacy of Dunces / John Kennedy Toole

“The Sugar Bowl” / Memory Blake Peebles (Ploughshares)

Das bedingte Selbst: Familie, Identität und Geschichte im zeitgenössischen Generationenroman / Markus Neuschäfer

Journey to the End of the Night / Louis Ferdinand Celine

Подросток Савенко Эдуарда Лимонова

“The Signature of All Things” / Elizabeth Gilbert (One Story)

“Everything is Breaking News: An Interview with A.M. Homes” / Rebecca Scherm (Fiction Writers Review)

“Against Meaning: On Outpunting One’s Coverage and Achieving Greatness Anyway” / Michael Byers (Fiction Writers Review)

Words Will Break Cement: the Passion of Pussy Riot / Masha Gessen

“Language” / Martin Heidegger

“Die Sprache” / Martin Heidegger

“The Challenge” / Gabriel García Márquez (New Yorker)

“ReMem” / Amy Brill (One Story)

Language Behind Bars / Paul Celan, trans. by David Young
I picked this up to read with some tea. It reminded me of how rusty my German has become. Young’s introduction demonstrates the obsessive nature of a translator. Reading Celan has never been an easy task for me, not the thing you do when you sit down with some tea on a hiatus from tidying the apartment.

Flamethrowers / Rachel Kushner
This has been burning a hole in my reading list since I saw Kushner read at AWP 2014. It’s been sitting on the edge of the shelf with that 70s porno-esque cover. I started it last night before sleep, unable to help myself any longer. The first battle scene has already flipped me over and made me tremble.
Now it’s intimidating me. Sentence fragments work well here, not as gimmicky as they sound elsewhere. Her metaphors all draw one into the Americana atmosphere. There’s a sense this is a spooky dream on the brink. A nightmare comes in the end of the second chapter, but it still feels as necessary as if I had not expected it. What strikes me are the insights of the characters, who are not at all sentimental but also not too dark for school.
Other obligations are keeping me from reading this, and it hurts. I gave my copy away and bought another. It doesn’t matter, electronic or not.

The Flamethrowers by Rachel Kushner

Предподаватель симметрии Андрея Битова

The Betrayers / David Bezmozgis
Here’s my review.